A Study in Scarlet

These photos were taken in Edinburgh, Scotland in January 2001.

The series is named "A Study in Scarlet" from the famous story by Sir Arthur Conan Doyle, who was born and educated in this city.

Edinburgh may seem at first glance an old and grey city, but when you get to know it, it has a glowing center, which for me is symbolised by the many instances of the color red one finds in it.

(This series was published in summer 2002 by Amateur Photograher, Britain's largest photographic magazine.)

Yours, Eolake Stobblehouse

    dontwalk-s.jpg phonebooths1bs.jpg
    bus-redcoat3s.jpg buswindow1s.jpg
    cafe1s.jpg
    buswindow3s.jpg apples-s.jpg
    museumofscotland-s.jpg phonebooth-s.jpg
    cafelucano1s.jpg


    ... A poet was inspired inspired by this series and wrote the following!


    Red In Edinburgh
    by Foye Lowe


    The apples are red, in Edinburgh.
    Like the glow of my rosy cheeks
    When I was there.

    The bus groans and grunts in Edinburgh.
    At least it did when I was there.
    Aboard the bus, beneath white hair,
    A neck scarf here, a back coat there,
    Will splash bright red on colors dead,
    In Edinburgh.
    The ash of death surrounds the red,
    In Edinburgh.
    One red portends a distant death,
    And warns "no smoking" here
    Aboard the bus, in Edinburgh.

    A storefront boldly walls the street.
    Enameled red, it gapes to tempt
    A lusty tryst, in Edinburgh;
    While, in the street, as tersely said,
    The aft-borne lamps of cars and vans
    Demand one "Stop!", in Edinburgh.

    On moves the bus, in Edinburgh.

    Once off the bus, if you should stroll
    In search of Scots Museum,
    With hopes a lass in mini-kilt
    Will guide your tour, and flirt,
    You'll see your stark, bipedal form,
    Portrayed in red, forbidding you to cross:
    "Nae, stay", it'll say, without a word,
    On the bare slick streets of Edinburgh.

    And strangely there, where danger's robed in red,
    The booth which guards the public telephone -
    The very means of seeking succor,
    Of gasping, grasping, for the line of life -
    Is . . . not at all in irony, not at all,
    In red, all red, likewise dressed.
    The color hot, to warn, alarm,
    Will bid you "Come,
    Oh, do come here!", in Edinburgh.

    And there, where skin is monochrome,
    A demolition chute, merry red, be-wary red,
    Descends its scaffold camouflage
    As though to mate the red sedan
    Beside the wall parked tight, in Edinburgh.

    At last you'll reach the place
    Where go has gone, and go will go no more,
    Embalmed at Scots Museum,
    Where runs the metal chart
    Of chronic hypertensive life,
    Magenta-red, along the alley-way:
    You'll find the heirloom whisky's
    Locked away, in Edinburgh.

    Then when you've walked until you're tired,
    And you seek rest in Edinburgh,
    You'll pass a place where food is sold,
    And through the glass you must behold
    The beckoning red of shaded lamps,
    Hanging warm, to bid, not warn.
    But you'll go on, to some café
    So strong adorned with shades of red,
    Like embers, glowing subtle fires of life.
    And there infuse the vital sera in
    The veins of your world-weary soul.
    Oh, yes, there's red in Edinburgh.